we can write cantatas

I once stood by three countrymen at the deathbed of their mother. There was grief, of course. For the second time the umbilical cord was cut. For the second time, the knot that binds two generations was unfastened. Those three sons were discovering that they were alone, with everything to learn, with no family table now where they could meet at festivals, with no pole of self-recognition. But in that moment of severance I was also discovering that life can be granted for a second time. Each of these sons would in turn become the head of a family, a rallying-point and a patriarch, until the time when they would pass on the leadership to that little group of children now playing outside the door.

I looked at the mother, that old peasant with her firm and peaceful face, with her tight lips and her face that was now a mask of stone. And I saw it in the faces of the sons. That mask had served to mould their faces. That body had served to mould their bodies, those fine examples of men. And now she lay there broken, but like a matrix after the precious metal had been extracted. Sons and daughters in their turn would mould their children in the image of their flesh. No one died on that farm. The mother is dead, long live the mother!

There was grief, yes, but that picture of the lineage is so clear and simple. On its way it casts off those white-haired outer skins one by one, as it travels on towards its own unknowable truth, through all its metamorphoses.

[…]

What was thus being transmtited from generation to generation, at the slow pace of a tree’s growth, was life itself, but it was also consciousness. An ascension filled with mistery! From flowing lava, from the unformed substance of a star, from a miraculously germinated living cell we have emerged and have risen little by little until we can write cantatas and weigh galaxies.


Antoine de Saint-Exupéry, Wind, Sand and Stars (Terre des hommes, 1939) Penguin Classics